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Modal and Tonal Counterpoint: From Josquin to Stravinsky, by Harold Owen
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Modal and Tonal Counterpoint : From Josquin to Stravinsky 1/E by Harold Owen
- Sales Rank: #945050 in Books
- Published on: 1992-03-19
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .91" w x 8.50" l, 2.00 pounds
- Binding: Paperback
- 400 pages
Review
Preface. PART ONE: INTRODUCTORY CONCEPTS. 1. The Nature of Polyphonic Music: Terms and General Concepts. 2. Polyphony and Style: A Comparison of Examples From the Fourteenth to the Twentieth Centuries. PART TWO: COUNTERPOINT IN THE LATE RENAISSANCE (1500-1600). 3. Two-Part Counterpoint: Basic Principles of Sixteenth-Century Style. 4. Two-Part Counterpoint: First and Second Species Counterpoint. 5. Two-Part Counterpoint: Third, Fourth, and Fifth Species. 6. Two-Part Motets: Setting of Text; Formal Considerations. 7. Two-Part Secular Music: Instrumental Duo; Canzonet. 8. Three-Part Counterpoint: Motet; Canzonet; Fantasia. 9. Four-Part Counterpoint: Dance Variations; Motet; Madrigal. 10. Polyphony in More Than Four Parts. PART THREE: COUNTERPOINT IN THE EARLY BAROQUE (1600-1700). 11. Stylistic Innovations: The Basso Continuo; the Emergence of Tonality; New Uses of Dissonance; Chromaticism. 12. Continuous Variations: Ground Bass; Chaconne; and Passacaglia. 13. Trio Texture: Two Trebles With Continuo. 14. Predecessors of the Fugue: Canzona; Ricercar; Fantasia; and Choral Fugato. PART FOUR: COUNTERPOINT IN THE LATE BAROQUE (1700-1750). 15. Review of Basic Concepts and Introduction to Eighteenth-Century Counterpoint. 16. Polyphonic Style in 1700: Melodic, Harmonic, and Temporal Considerations; Polyphonic Textures. 17. Cantus Firmus Compositions: The Chorals Prelude. 18. Invention: Bach's Two-Part Inventions. 19. Three-Part Counterpoint: Bach's Sinfonia's. 20. Canon: Two-Part Canon; Accompanied Canon; Canonic Chorale. 21. Fugue I: Overview; Subject and Response; Countersubject. 22. Fugue II: The Exposition in Three and Four Parts. 23. Fugue III: Development; Episodes; Contrapuntal Techniques and Devices; Stretto; Concluding Techniques. 24. Genres Using Fugal Technique: Gigue; Fugal Sonata Movement; Fugal Chorus. PART FIVE: POLYPHONY IN THE CLASSICAL AND ROMANTIC ERAS (1750-1900). 25. Polyphony in the Classical Era: Counterpoint in Haydn, Mozart, and Beethoven. 26. Polyphony in the Romantic Era: Counterpoint in Mendelssohn, Brahms, Franck, and Others. PART SIX: POLYPHONY IN THE FIRST HALF OF THE TWENTIETH CENTURY. 27. Serial and Atonal Counterpoint. 28. Counterpoint in Hindemith, Bartok, and Stravinsky. Appendix A: Identification of Examples in Chapter 1. Appendix B: The Ecclesiastical Modes and the Hexacord System. Appendix C: A Guide to the Interpretation of Figured Bass Symbols. Glossary. Discography. Selected Bibliography. List of Musical Examples for Discussion. Index.
Most helpful customer reviews
8 of 12 people found the following review helpful.
This is not a reference book, but rather a book of exercises.
By Stephen Apple
This book claims to take a "discovery approach," which mainly involves posing numerous questions for the reader to consider while going through the musical examples. This approach, together with an inadequate index, make this book less usable than it could be. It can be difficult to find specific pieces of information, or to cross reference terms which are casually used in passing in one section of the book, but are only explained in other sections. This book shouldn't be considered a reference book; While teachers might find this useful as a lesson book, I suspect that students might find it to be of limited worth for their professional libraries after they've finished school. So in considering the price of over $100, TEACHERS, please, if you are going to force students to spend a ridiculously large sum of money on a book, choose something else that will have lasting value for them.
I also concur with Theta's review; The material covering the Classical and Romantic eras through the 20th century is desperately thin; Four chapters are dedicated to these eras, compared to 22 chapters for the Renaissance and Baroque periods. It's almost as if the author became bored with his topic by the time he reached these chapters. In this respect the title is quite a bit misleading. Perhaps the book should have started with the 20th century and worked backwards in time.
0 of 1 people found the following review helpful.
Five Stars
By Simin Ye
This book is in very good condition. I appreciate it.
0 of 3 people found the following review helpful.
great book
By ilnyapasdequoi
exactly what I needed. a little bit of damage on the spine, but it doesn't detract from the book's usability. book came pretty quickly, and for the price, the whole thing was top notch.
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