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The Cyberiad, by Stanislaw Lem
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Trurl and Klaupacius are constructor robots who try to out-invent each other. They travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their employers. “The most completely successful of his books... here Lem comes closest to inventing a real universe” (Boston Globe). Illustrations by Daniel Mr—z. Translated by Michael Kandel.
- Sales Rank: #127935 in eBooks
- Published on: 2002-12-16
- Released on: 2013-04-19
- Format: Kindle eBook
Review
Stanislaw Lem may be the most famous science fiction writer you've never heard of ... [this] collection of stories may go some way to redressing that ... The linguistic inventiveness is extraordinary ... Lem has created a curious world in which robots and rockets rub shoulders with kings, dragons, witches and pirates Independent on Sunday A Jorge Luis Borges for the Space Age New York Times
Language Notes
Text: English, Polish (translation)
About the Author
Stanislaw Lem is the most widely translated and best known science fiction author writing outside of the English language. Winner of the Kafka Prize, he is a contributor to many magazines, including the New Yorker, and he is the author of numerous works, including Solaris.
Most helpful customer reviews
42 of 45 people found the following review helpful.
Lem Should Get Nobel for Literature (but won't)
By A Customer
First, the Cyberiad is an absolute hoot. It works on the highest literary levels with humor and insight. My only complaint is that Lem didn't write more of these cyber fables (I've got almost everything he's written that's been translated over the years and he's written quite a lot in this vein nd IT IS NOT ENOUGH - I WANT MORE!!). He's probably most famous for his book Solaris which I found an intriguing bore (personal taste only and could be a bad translation since I don't read in his native Polish). People who read Solaris as their first Lem book will find little in common with the Cyberiad. I avoided Lem for years because I pegged him as the author of Solaris and didn't realize what a virtuoso author he was. He will never win the Nobel because he's been stamped as a "Science Fiction" writer, sort of like Vonnegut, Le Guin, and Philip K. Dick are/were. He's different from all of them ... Read Solaris, The Invincible, and the Cyberiad and you'll see the range of his skills (good and bad). An aside: I was astounded when my 9 year old picked up the Cyberiad and read it obviously not getting a lot of the finer points) and then asked if he could find more books about Trurl and friends. He thought it was one of the funniest things he's read (and he likes the Harry Potter books also). Now, I wouldn't recommend Lem to most 9 year olds ...
0 of 0 people found the following review helpful.
Five Stars
By P. David Polly
The Cyberiad is a true classic.
10 of 10 people found the following review helpful.
They had me at the baby-making cannons
By Michael Battaglia
So it takes a Polish SF writer to craft a literary response to George Herriman's "Krazy Kat"? Actually, that probably wasn't the intent but the similiarities of this book to one of the newspaper's greatest comic strips is interesting. Herriman crafted his masterpiece around a simple concept, the cat loves the mouse, the mouse wants to hit the cat in the head with a brick and the cop wants to arrest the mouse while being in love with the cat. It's utterly simple and yet for years he found almost infinite variation in the premise.
And here we are, with another vastly simple premise. Trurl and Klaupacius are robot inventors, the best around. And they spend their time careening around the universe trying to out-invent each other. Most writers would find simply play it for straight comedy or saddle each story with a heavy-handed "message". Lem, brilliantly, does both and neither and manages to sustain for the length of an entire book. From the opening tale where they learn what happens when you tell a machine that can make anything to make nothing to the last strange and wonderful love story, Lem keeps finding inventive ways to tell the same tale.
And what a way he tells it. Also much like Herriman, Lem clearly loved the pure sound of words and using them much like you use sound effects to color a good movie, as cadence and rhythm and atmosphere, coming up with names that make no sense but read perfectly well and probably have multiple meanings if you know six different languages. It approaches Joyce in its virtuosity and what makes it even more amazing is this isn't even the book's native language . . . it was written in Polish and translated later and the fact that the translator was able to take all this, the wordplay and the nonsense syllables and the rest, and make it into something readable, is worth mentioning on all its own.
But what about the stories? In a word, fantastic. Those expecting straight science-fiction are liable to be disappointed because while the inventors live in a universe where you can hop planets with ease and build giant robots and the like, most of the "science" comes perilously close to technobabble or just Lem making things up for the sheer heck of it. Trurl and Klapacius live in a universe stuffed with kings and bizarre aliens and the impossible happening all the time and yet a certain sense of reality hangs over it. The characters know when to take it seriously and know when to go "Gosh, this is all rather ridiculous" and as such forces us to kind of accept that reality.
And boy, is it fun. Most of Lem's books, while having their moments of humor, are clearly serious affairs, generally him finding a way to use the story to make a comment on the genre or its conventions. Here, he's doing the same but letting his hair down in the process, having fun with words and language and not afraid to go for the absurd if the story calls for it. Gleefully so. As I mentioned in my title, they end one war by shooting babies out of cannons. And it's not horrible at all, and its kind of funny but at the same time feels like the most logical solution possible. So you go, "Of course, that's how it has to be." Gloriously so!
What I thought might be an interesting slog through a clearinghouse of ideas winds up being perhaps more substantial than most of Lem's works I've read so far. Yes, some of the stories are slight and probably just intended to make you laugh, there's a number of them that are making serious points underneath all the robot creating goofiness and strange words. The first page notes that these are "Fables for the Cybernetic Age" and while that age is way closer to us now than when Lem originally wrote the stories, that doesn't make them any less timely or more appropriate. We need to live in a world where the worst problems can be solved not only by ingenuity and determination, but by a good story. And barring that, entertaining us until we figure out how to make the bad times go away. As Lem says in the final tale, "There are certainly fables enough in this world. And yet, even if the story isn't true, it does have a grain of sense and instruction to it, and it's entertaining as well, so it's worth the telling." We need more stories worth the telling.
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